on
Bitter Sauce
2005
Bitter Sauce
Bucharest
It takes a photo of emotion. From the very beginning, the director chose to make a performance and not a show. By choosing to make an experiment she constructed her theatrical discourse in a series of photographies. The interest for photography is justified by the director’s choice for clarity and message disambiguation, through the corporeal attitude that photography presumes without leaving any room for interpretation: “If I say I am alone, I am afraid and I love you, I do not want to express anything more than that. We are living the present time, here and now, without referring our emotions to the past or the future. I do not care for the biography of emotions, but for us to learn to feel them”.
