on
[a bus station…]
2006
[a bus station…]
Innovating performance, yet not innovating through aggressiveness and excess, but through concept, through the emotion that it creates in the spectator, through the quality of the means through which it transpires emotion. Because it is truly a performance which transpires emotion. At the same time, it is a performance which tells a story. About fear, about mistakes, about self-hate, about power and helplessness, about reality and non-reality, about pain and poetry. And about the power to give yourself and to let yourself receive. About the audacity of giving yourself and about the same audacity, maybe, to let yourself receive.
